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The mode of the model was back on Monday evening in the New York public library before the holiday weekend of July to enjoy the latest collection of dreamlike Victorian beauties of Marc Jacobs.
After the usual shows from Jacobs’ Show Notes, the stage for the five -minute autumn collection Runway Show of Concise 19 looks, each struggling on the gentle melody of ‘Song for Jesse’ by Nick Cave and Warren Ellis.
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“Beauty,” is the notes. “A quality or combination of properties that give the mind or the sense of joy and are often associated with properties such as harmony or color, relationship and authenticity.”
Jacobs, Bridget Foley Bridget Foley, spoke in a recently performed conversation with the debut -Fireside chat by La Maison Orveda about his programming series for cultural flavor.
“It was more interesting to think about clothing in a sculptural way and without being pre -fed or arrogant – we make it in our own way, which usually has a reference to something known,” he said. “When I wear fashion, I want a real shoulder engagement, I want a silhouette and I want to get involved. Fashion is really something special and it is something you don’t need. It is not a mere piece of fabric to cover your body. It is something that pulls on your heart.”
His words came to mind on Monday evening, which were seen by the autumn collection, a fabulous continuation of the larger than life, twisted, doll-like revenue against the confidant’s vocabulary, which he has developed in recent years. Jacobs leaned into Victorian shapes, mixed with a little grunge, as it was seen by Look One -Model giant blouse by Look One Model, grounded with extra large and baggy cargo bants with a large arc on the back. There were abundance that could also be seen on the back of almost all looks, including beautiful sculptural top dresses (in pretty pastel colors or darker, vampy colors) and the big pants with a pin. In the hair of the models or in a bulbous, pale pink lessotous dress that just fell off the body.
Jacobs continued his story with Ditsy Wallpaper flower deductions and pastel tip and whipped them into exaggerated Victorian doll silhouettes, some of whom hugged the body closer than in the last seasons before they exploded into floating shoulders and hems. His sculptural blouses were Knockouts – a swift flower version on Alex Consani; A rounded, polka-dot playback on Model Wali German or a sweet but strong white lace, which was carried by Sascha Rajasalu-but was really each of the sixteen other looks of the designer.
Again through fashion, Jacobs transported his guests into an escape from fairytale, fantastic beauty.
Start gallery: Backstage in the Marc Jacobs autumn 2025 Ready-to-Wear collection
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