by Cmat runs onto the pyramid stage, immediately pretends to fell, and then delivers the first verse of her opening song that lies down with the face. It is a fascinating beginning for the type of Glastonbury set that apparently appears to an artist at a turning point of her career, which has the feeling that you are about to be absolutely huge. The amount she draws is large and you react to the handful of tracks that have already been published by your upcoming third album Euro countries as if you were your biggest hits. The TIKTOK Dance enthusiasm, which was built up by the recent single, had a sexy picture of me by the latest single, clearly had a role in increasing their popularity-related arrival mediocre sets a spontaneous amount. Someone in the audience is so excited that a smoke flars halfway. The large screens show that even a security officer who stands on the Loos on the side of the stage pumps his fist – but the delightful reaction cannot blame your entire set.
What is that cmat is a fantastic pop star. It is not just that she is smart, funny, devoured and looks fantastic-she is in huge earrings in the form of the euro symbol Blue Plastic Dress, which she removes to reveal a suitable Blue Leotard while she mocked through the fat shaming comments posted on social media. It is not just that it is blessed with both a strong, octave voice and with an outstanding songs loaded by Hook, which are divided into the difference between the Fleetwood Mac of the Country in the mid-1970s and equipped with sharp, funny texts. It is the case that she is a fairly spectacular brilliant live performer. She alternates between the stage movements, which comes from the dance, as if she was choreographed with her band members and choreographed routines: At the climax of a ripped off the skirts of her male band members, which is reminiscent of Bucks Fizz’s famous Eurovision moment. She announces herself as a “Middle Child Syndrome, an amazing ass and the best Irish Country Rock’n’roll band of the world” and, when she mentions her own name – starts as the crowd to take her name from herself, replies by bending and wiggling her with her bum. When she successfully encourages the audience to deal with synchronized dance movements to be a cowboy, baby!
Everything is incredibly appealing and absurd well, and it reaches a highlight for something that runs on the front stage on the barrier, climbing a fan, hits a series of coquettish poses, then – then – to the visible horror of the security guard accompanies you – applications for the audience. Back on the stage, she leads a singing of “Free Palestine” and she is gone – it really doesn’t seem unimaginable that she could be headliners the next time she returned.
