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Paris – The Bachelor of Arts students of the Français de la Mode institute did not play it safe and anchored her runway show in Kühnen Political News.
For their last appearance, the 30 students presented marched in handmade T-shirts who marched with slogans such as “Stop financing wars” and “no civilians should pay for their government’s decisions”.
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“In order to be young and not to say, the worst thing is what you can do,” said Ahisma Arce, a student from the USA, whose collection played with exaggerated dimensions, including the pants that were so waisted so high that they were suspended on the wrists. “It is important to say something, no matter what you think. It was difficult to bring everyone to the same side, but it was worth it.”
An undercut of the subversion went through many collections. The Chilean student Vicente Aycaguer Muñoz challenged the gender standards with men in skirts, tights, pants, mug -cubs and an extremely voluminous flower coat. Ivorer-French student assocé Felix Loadjro sent male models with baby flies to the runway, while Lili Zavatta exposed a red latex mini dress on a male model. At a time when traditional roles are increasingly pushed into politics, the students made their attitude clear.
Some collections were even more open and carried their policies on their sleeves, such as Zelig Davoult, who presented the Palestinian flag, Pro-Gaza messages and clothes from Keffiyehs.
Others leaned into conceptual craft. The South Korean student Goun Jeong has caught up with her models like Chic Presents, including an outstanding trench with contrasting patterns, grinding and folding.
The French student Rosalie Bernard used a feather in a blurry softness that contradicted his increase in a striking column dress, while Yelyzaveta Dimitriieva reinterpreted traditional Ukrainian textiles in modern knitting goods, including an outstanding couple of pink boots.
Where the clothes occasionally fell too short, accessories occurred. The students showed their training through shoes and pick -up design with playful results.
Victoire Pedron Hasenmuppen and bouncing Jelly bags were square delightful; Zavattas Disco ball shoes added a visual jerk; Alan Llorca Rooses Hardhat-Wende-Handbag brought the industrial edge, and Théo Senesane’s scraping boxes and pink thigh boot pockets added flair.
Some explored different conditions of moving out as a topic. Lyrone Journo sent out models in bath towels, while Simon Ancelin’s designs contained models that kept paper patterns for their bodies like portable efforts.
“A little comes back, like a kind of new sensuality,” remarked BA program and artistic director Thierry Rondenet. The students were more involved with draining and fabric manipulation, which often convert textiles. Woven leather – like huge Bottega bags – appeared in several collections alongside a lot of swinging fringes.
“There is another attitude of how to put clothes on the body, something like a natural kind of chic,” added Rondenet. “This year they worked more on adaptation, so that the construction is really connected to the body.”
Other collections examined the texture in a playful way. The French student Chloé Laplante took the trend “tomato girls Summer” with red, rounded forms inspired by Essen. In an important look, she replaced sequins with shredded egg shells on a retinal shirt, which complements dimension and depth in a very unexpected way.
Of 69 eligible collections, 30 were selected to show. Other Students In The Lineup Included Tidjane Tall, Ken Gongyuan Xie, Julius Scheffel, Eugenia Alonso Alexander, Jihao Liu, Erwan L’Heron, Antoine Lledo, Ore Atowoju, Lucien Caillou Industry, Amandine Leost, Peru Goenaga Goikoetxea, Candice Moring, Zilan Ma, Gonzalo Garcia Marina, Rphael Ignazi and Clementine Smith.
The event attracted Mode insider, including Andam founder Nathalie Dufour and aspiring designer Alain Paul and Charles de Vilmorin. The afternoon also contained a shop window from Supima Cotton.
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