by Even the public announcement system of the Royal Albert Hall got into the spirit of things. “Traiser and faithful, this is your five -minute warning. Please take your places. The concert starts in five minutes.”
In the hall, Iconic moments of the TV show refer to. Three large screens played assemblies from the series, and a familiar round table was in the middle of the prominging arena. Twelve dancers who alternately in the striking traitor and masks or as the more caricaturistic figures of the tasks (IT reference clowns, tumbling scarecrows from a particularly nightmare magician from OZ) were dressed by the auditorium. The stage was also full of massed ranks of the BBC Scottish Symphony Orchestra, the BBC Symphony Chorus and the BBC singer, who were listed by Irish conductor Karen Ní Bhroin and debut a confident prom.
Master of the ceremonies for the first prom for traitors was his popular moderator Claudia Winkleman knitting paths and fingerless gloves understandably missing on a damp Julin afternoon, but with an elegant black velvet jacket, eyeliner and fringe intact. She arrived on the stage, which was announced by a piper and a noticeable feeling of excitement.
The reality TV show – basically Wink Murder in a warmly furnished Highlands Castle – has been one of the greatest successes in the BBC in recent years. His soundtrack, which contains Cover from chart hits, which is an essential part of its atmosphere on Gothic threat, Slow of Beat with occasional part of the classic music part of the mix (Beethoven, Mozart, Tchaikovsky – as long as the melodrama up to 11).
“With his topics betrayal, betrayal and intrigue, the traitors fit like a glove classical music,” said the director of Proms, Sam Jackson, at the start of the season in April. In the case, however, the classic content was low, just a look at the betrayal, and paid attention to his greeting, while she was over or orchestrated cover versions of songs by Billie Eilish (Bad Guy), Oliva Rodrigo (Vampire) and imagine Damane (faithful) and Sam Watts’ Tuned the Program.
The BBCSO and Ní Bhroin have proven their versatility when they moved from the stodge of the nothing of the Hidden Citizens by Danse Macabre from Saint-Saëns by Saint-Saëns. The tenor Andrés Presno was in Cavaradossi’s heartbreaking Aria e Lucevan Le Stell from Puccinis Tosca, the opened clarinet -solo particularly beautiful, passionate and sparkling. During the dancing of the clown from Tchaikovsky Nussknacker ballet, eight actors jerked in terror wigs and boiler suits, as if he were electrically salt on the front of the Albert Hall stage.
Singer Hayla and Andrea Lykke, who share POP performance tasks, have powerful voices, but the texts were lost in the Hall texts and both gave their three numbers strangely uneducated appearances. Darrell Smith brought the faithful and Sophie Ellis-Stextor’s murder of the dance floor more energy that closed the show with an energetic grades. Fortunately, a handful of ex-fraudy tongues were firmly in their cheeks to enjoy things. Minah and Linda were on stage to remember Claudia briefly, Alexander, whose singing singing back (they had to be there), “discovered” one of the best moments in series 3 in the ranks of the BBC Symphony Chorus of series 3. The final of the concert was of course the exposure of a traitor. The winner of Series 2, Harry Clark, was in the organ of the Royal Albert Hall. “I’m the best traitor in the proms,” he called, repeating his famous victory and whirling with his cloak.
• Available to listen to BBC sounds again until October 13th. The concert was shot for television and the transmission date was announced.
