The best hair and make -up moments from the original film “The Devil Wears Prada”

Embedded in the DNA of the beauty of the early 2000s, the finely cultivated eyebrows, slightly blushed lips and icy make -up screamed: “I am dead inside”, on the women on Runway – the fictional fashion magazine, which was shown in David Frankel’s 2006 film “The Dogy Wears Prada”, starely Anne Hathaway, Meryl Streep and Emily Blount.

Since its release, the film has been praised as a blueprint for the hair and make -up trends of this time, minus some satirical decorations. Streeps character Miranda Priestly, the excellent editor -in -chief and Blunt’s character, Emily Charlton, Miranda’s first assistant, are occupied as a glamor models of the fashion -mecks with shadows to their eyebrow bones and black eyeliner in their waterline. Anne Hathaway’s character Andy Sachs, the aspiring news journalist, who ends up a job as Miranda’s second assistant, is the archetypal minimalist-one non-make-up, just a chap stick type, before it inevitably corresponds to the rural ubiquitus aesthetics.

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Eleven years later, Hathaway, Streep and Blunt come together again, this time to embody the modern beauty trends, while they repeat their famous roles in “The Devil Wears Prada 2”, which are to be released on May 1st. Nicki Ledermann, Jane Dipersio and Emily Marroquin will guide the hair department with the make-up make-up lean flanigan.

In front of us, the WWD has a look back at the best moments of beauty from the original film, which the artists Angel de Angelis, Robert Chiu, Ledermann, J. Roy Helland, Maya Hardinge and Evelyne Noraz created.

Naked beauty

As a newly shaped second assistant of Miranda on Runway, Hathaways Andy does not pay too much attention to her appearance. In fact, she remains loyal to her typical make -up, which is none.

Here Andy struggles with the concept of high fashion and fights with reality to work in a prestigious magazine. Their appearance is raw and untouched, consists of long, dark brown curls, arched brows and the slightest touch of the pink lip bales; Your nails are cut briefly and kept back.

Discouraging glamor

There is no question that Miranda is the typical intimidating boss. She expects her employees to have a flawless understanding of their taste and absolute respect for the art of fashion.

If Andy seems to be open and giggles at the sight of two belts that look identical, Miranda’s expression is wide; Their gray-tinted, brown eyeshadow and eyelash extensions grow with it. Your lips are mixed and painted in a matt color with cerise pink shadow, and your silver hair is perfectly on the left side of your face. This is Miranda’s truth, a face full of make -up and still flooded with disgust.

Teufel Eyeliner

The appearance of sneaky satisfaction requires a lot of black eyeliner, and the character of Blunt, Emily Charlton, favors well. Emily’s eyes observe how Andy tries to cope with Miranda’s list of impossible tasks and are in a thick black ring that sweeps over her eyelids and in her waterline. Her burnt orange, shoulder -ended hair is brushed back in half, half hairstyle and emphasizes her Gothic eye.

Without her bubblegum -lip gloss and her clever grin, Emily Andy would have to give the ultimate death star.

The Y2K school girl

A big turning point in the film appears after Andy was looking for the help of Tucci’s character Nigel, Art Director at Runway. Andy screams to Nigel after Miranda puts her disapproval from her. To correct Miranda’s impression, Nigel Andy transforms into the ultimate “IT” girl. Her once tired, adult pony are in harmony with her eyebrows. Your ends are chopped directly under her shoulders.

Andy’s face is still minimal and even. However, it now adds some mascara, a little eyeliner and lip gloss, an effortless aesthetics, which of course is combined with her new Chanel.

The 90s Runway model

Supermodel Gisele Bündchen makes a few camera in “The Devil Wears Prada” as Runway employee who kept clapping her desk with Emily. For their appearances, Bündchen’s make-up is reduced compared to Emily’s trademark Cat-Eye Eyeliner. In this scene (see illustration below), your character is shocked in the sight of Andy, who goes through the office doors, and has a new revision.

Bündchen’s hair is combed by her face and bound into a roll to emphasize her shocked face. Her eyelashes are outstanding among their rectangular readers; The tips that extend to the tips of their frames. In the meantime, their separate lips are dressed in a brown matt color. Next to her, Emily attracts a lighter lipstick shadow, top eyeliner and lower murdered shower.

Serious shadow

A rare moment of unity between Andy, Miranda and Emily comes during a charity in the American Museum of Natural History. Andy is asked to take part with Emily, which is open under the weather – with a liquid nose, shiny eyes and everything. Andy’s skills in this scene is undeniable because she not only anesthetizes Emily and Miranda how much she has learned about the interior of the fashion world, but also for itself. And it shows up in your gala glamor.

Andy style her hair in a twisted roll on the crown of her head; Her pony are blown out and brushed over her forehead. She wears more eyeshadow than ever before, together with a bold red lip and signals her newly discovered understanding of the relationship of beauty to style. Next to her, Miranda beautifies her everyday face with heavy blue shadows over her eyes and polished on her eyebrows. Emily, on the other hand, combines her flem and natural flush with a charcoal color on her eyes and bare lips.

Broken bomb

Andy’s success as Miranda’s assistant is strengthened by her unrequited loyalty and her wish. However, this means that she loses many other people in her life just to land in the arms of a traitor named Christian Thompson, played by Simon Baker.

In the morning she realizes that Christian against Miranda (shown here) catapults the work of and from her fantasy romance of the Paris Fashion Week into panic mode. Your hair is involved, your make -up is smeared under your eyes and your lipstick is completely faded.

With a perfect red lip

Knowing that people are planning against Miranda still does not stop from doing what is expected of her. In this case it brings together and makes a face of the make -up one last time. Before she makes the pointed decision to throw her cell phone into a fountain and leave the runway, Andy paints her face to please Miranda. She pulls her hair back into half, half a bumps and brushes her pony on the sides.

Once again, her lips are colored in a dark red color and their eyelashes are emphasized with black eyeliner. Andy’s eyebrows are slightly arched and thinly picked, and she only wears a hint of blush under her cheekbones.

‘The devil wears Prada 2’: All costumes on Anne Hathaway and Meryl Streep so far

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Start gallery: ‘The Devil wears Prada 2’: All costumes on Anne Hathaway and Meryl Streep so far

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